Paul's letter to the Philippians, a dense and dynamic piece of rhetoric, is too often overlooked in Pauline interpretation. Careful, critical analysis of the argument in the letter as a whole, as well as its famous hymn, attunes the interpreter to the ethical and political dimensions of this important document.

_ Source: _Volume 12, Issue 1, pp 39 - 50 The paper deals with an anonymous _Hymn to God_, which is attributed to Gregory of Nazianzus by some authors, but was most probably composed by a Christian Neoplatonist such as Pseudo-Dionysius the Areopagite. The paper explores the hymn’s relation to Neoplatonic theories of prayer and shows that these affinities are broader in scope than has previously been recognised. Some Pagan and Christian Neoplatonists, including the author of the _Hymn to (...) God_, seem to have shared the idea of a cosmic prayer by which all beings tend towards God, a prayer founded on the knowledge of the ‘signatures’ that God rooted in our souls. (shrink)

A beautiful, profound series of reflections on the body by one of the most prominent and consequential philosophers of continental Europe This landmark collection brings into English Jean-Luc Nancy's last completed work and concludes his remarkable philosophical reflections on the body, a project and journey he began almost thirty years ago. Nancy's essays--which take the body as an intersection of pulsing life and destructive cruelty on a global scale--become more vivid, more physical, than ever, even as they venture into language (...) that is as lyrical as it is profound. This vividness is manifest in blood: as it flows, in all its pulsing and forceful circulation, and as it spills, in the cruelty of existences confronted daily by countless destructions. This can be described as sanguis and cruor, the two Latin words for blood's intermingled but distinct aspects. This distinction allows Nancy to highlight an almost mystical sense of the body (yet one that remains soberly on this side of its manifest insistence), alongside the cruelty that pervades our world. The very existence of the world itself is threatened by its reduction to mere objects. The exceptional writings brought together in Corpus III comprise a masterful work of philosophy that marries rigorous erudition--on Freud, Nietzsche, and others--with rich poetic language and an actual poem. Nancy's thought opens the body onto its own unaccountable origins, its plural singularities, its enmeshed instantiations, and its excessive irreducibles, which are also the elusive excesses of language. Whereas in earlier texts Nancy has referred to this excess as poetry, here he performs it in the form of a poem, in the extraordinary hymn entitled Stoma. While the publication of a poem by Nancy is a notable event, equally noteworthy is a remarkable essay entitled "Scandalous Death," in which Nancy meditated on a subject that was to come to him too soon after. Above all, the book is crucial for bringing into English Cruor, the very last work Nancy completed before his death, an evocative meditation offered by a great thinker on the complex conditions of his own--and our--singular survival. (shrink)

Zeno's so-called proofs of divine existence -- Zeno and the traditional gods: a serious problem -- Cleanthes' proofs -- Cleanthes and the traditional gods -- Chrysippus' contribution -- Chrysippus and the traditional gods -- Other Stoic proofs -- Other (Stoic?) arguments in Sextus -- Polemics against the arguments pro the existence of God(s) -- Abolishing the gods leads to odd consequence: the atopical arguments pro the existence of the gods -- The counter-arguments -- Carneades and the data of Sextus and (...) Cicero -- The sorites arguments as a weapon against the traditional gods -- Epilogue -- Appendix I. Cleanthes' humn on Zeus: a running commentary -- Appendix II. Where is God? -- Appendix III. Alexinus' Parabolai. (shrink)

Eduard Norden, in the second half of his Agnostos Theos, has maintained with great learning and ingenuity the thesis that predications in the style ‘Thou art ,’ ‘I am ,’ are due to Oriental influence; purely Greek religious language does not go beyond ‘Thou dost ,’ ‘We are indebted to thee for .’ This view appears to be substantially correct. To Oriental influence we may, I think, trace also the custom of stringing together a series of brief predications in or (...) of the second person, for the most part not connected by conjunctions, and producing the effect of a rapid fire of assertions. The earlier Greek examples are not, as a rule, asyndetic. In the Hellenistic age and later we see the other style, as in Catullus 34. 13: ‘tu Lucina dolentibus Iuno dicta puerperis, tu potens Triuia et notho es dicta lumine luna, tu cursu dea menstruo … exples’ 61. 51: ‘te suis tremulus parens inuocat, tibi uirgines zonula soluunt sinus, te timens cupida nouus captat aure maritus’; in Lucretius' proem; in Ovid, Met. IV. 17: ‘tibi enim inconsumpta iuuenta est, tu puer aeternus, tu formosissimus alto conspiceris caelo, tibi cum sine cornibus adstas, uirgineum caput est’; in the invocation of Apollo at the end of the first book of Statius' Thebaid; in Capaneus' prayer to his strong right arm : ; in the Orphic hymns, II. 10-, though they consist mostly of accumulations of epithets; in Menander Rhetor περ πιδειкν : περ [al. Θοραι], περ σ Θνδες, παρ σοкα σελνη τν ετνα λαμβνει; in Valerius Maximus VI. (shrink)

This volume, the latest in the project of publishing the complete works of Teilhard in English, exhibits Teilhard's cosmic vision breaking into cosmic prayer and the near-mystical desire "to proclaim... the innumerable prolongations of your [Christ's] incarnate Being in the world of matter". Along with "The Mass on the World," "Christ in the World of Matter," and "The Spiritual Power of Matter" are a collection of "Pensées" drawn from both published and as yet unpublished sources. Most akin to The Divine (...) Milieu, these essays and selections raise acutely, once again, the question of what is traditional and developmental, and what is revolutionary in Teilhard's conception of Christian spirituality—E. A. R. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:The Undercutter, the Woodcutter, and Greek Demon Names Ending in -tomos (Hom. Hymn to Dem 228-29)Christopher A. FaraoneEarly in the homeric Hymn to Demeter, the disguised goddess, when offered employment as a nurse for a young child, responds with the following boast about her knowledge of protective magic (lines 227-30):1228 M: Ignarra, DelatteI will nurse him, and I do not expect—through any weak-mindedness of his nurse—that witchcraft (...) or an "undercutter" will harm him, for I know an antidote far stronger than a "woodcutter" and I know an excellent defense against woeful witchcraft.Scholars have long noted that in her boast the goddess seems to imitate a magical charm. Richardson (1974) points out, for instance, the peculiar "incantatory" character of these verses, signaled by such devices as the repetition of words and sounds, chiasmus, and the anaphora of oida—a word that elsewhere in epic is limited to special kinds of song, for example, that of the Muses (Th. 27-28) or the Sirens (Od. 12. 189-91). In addition [End Page 1] to these general features, Paul Maas showed more than fifty years ago that the second line of Demeter's boast is quite similar in structure to the penultimate line of a hexametrical incantation inscribed on a late fourth-or early third-century B.C.E. lead amulet from Phalasarna, Crete:2shall not harm me with ointment or with application or with drink or with incantation.The striking similarities in content (both texts are concerned with protective magic) and form (the identical placement of the words... in a single hexametrical verse) can hardly be coincidental, and, although one can never rule out the possibility that the amulet may be quoting or adapting the language of the hymn, it seems much more likely that Maas is correct in thinking that both depend on an even earlier hexametrical charm.3There is general agreement, then, that Demeter's boast reflects or mimics a protective incantation in both its form and content. There is also a wide consensus that: (1) the words hupotamnon and hulotomos, closely conjoined by chiasmus (), must have similar meanings; and (2) they both refer to agents who "cut the "4 or "cut under" something.5 There has, however, [End Page 2] been a notable lack of agreement on who or what precisely the "undercutter" and the "woodcutter" are. Nearly a century ago T. W. Allen, marshaling a number of cross-cultural parallels, suggested that both were euphemistic names for the worms blamed for toothaches in adults and for teething pains in children.6 In recent years, however, Allen's interpretation has generally been supplanted by Richardson's suggestion (1974, 230) that the terms antitomon, hupotamnon, and hulotomos "must all refer to the same thing, namely the cutting of herbs for magical purposes" and that both hupotamnon and hulotomos probably designate a human agent versed in this special art. Thus he translates line 229 as "I know an antidote more powerful than the herb-cutter, " a rather terse formulation that presumably should be expanded as follows: "I know an antidote more powerful than (the poison that) the herb-cutter (knows)." According to Richardson's reading, then, both "undercutter" and "woodcutter" refer to human agents who may try to poison the baby with noxious herbs, and Demeter's boast contrasts the superior (defensive) herbal lore of wet nurses to that of professional herbalists, who are in fact regularly called root cutters (rhizotomoi). This interpretation is quite reasonable, and in recent years it seems to have ousted Allen's in subsequent editions and translations.7 This judgment may, however, be premature: some recently discovered or reedited magical texts suggest that names ending in - were also used regularly to describe harmful gods or demons who were thought to cause pain by cutting into the human body. I shall therefore attempt here a revised version of Allen's argument, namely that the word hulotomos probably [End Page 3] does not refer to a worm, but rather to a supernatural force or demon who attacks the gums of teething babies. Since there are no parallels for such names in the form or, my... (shrink)

The short hymn to Hypnos at the opening of the first komrnos of the Philoctetes is of particular interest in view of Sophocles' association with the cult of Asclepius. As suggested by the invocation the hymn is in fact intended to recall the paean, a form of liturgy with which Sophocles' audience must have become increasingly familiar in the years since the introduction in 420/19 of the Asclepius cult. Indeed if we are to judge by inscriptional and other (...) remains the output of hymns for the cult of the healing gods from the fifth century onwards must have been a prolific one and considerably in excess of that for other deities in the same period. It is well known that amongst the earliest writers of hymns for the cult was Sophocles himself. The Suda in the list of his works records one of which at least, a paean to Asclepius, was known as late as the second and third centuries A.D. Probably this is not to be identified with the Sophoclean paean on the Sarapion monument of the same period, which in so far as the extremely fragmentary state of the inscription will allow us to determine would seem to be addressed not to Asclepius himself but to his mother Coronis. (shrink)

Illustrations: 24 B/w Illustrations Description: In the Hindu tradition Kapila is admired and worshipped as a philosopher, a divinity, an avatara of Visnu and as a powerful ascetic. This book is the first monographic study of this important figure. The book deals with Kapila in the Veda, the Sramana traditions, the Epics and the Puranas, in the Samkhya system of religious thought and in the ritual traditions of many contemporary Hindu traditions. Kapila is an important figure in the sacred geography (...) of India and the study of the rituals and narrative traditions of the tirthas of Kapila is an important contribution of this book. The book also contains a translation into English of the text Kapilasuri-samvada, Kapila's teaching of Asuri, found in a few manuscripts of the Southern recension of the Mahabharata. Kapila refers to a pluralistic phenomenon. The Kapilas in the Hindu tradition connot be reduced to a single figure. In general, pluralism characterises the religious traditions and religious life in South Asia, ancient, medieval, modern as well as contemporary. Openness for the greatest possible plurality is therefore often a good way to approach religion in South Asia. This is the case also with the study of Kapila. The approach of the book therefore is pluralistic. Contents Preface Chap. I : Kapila in the Hindu Tradition Chap. II : Kapila in the Veda, the Sramana-tradition, and the Mahabharata Chap. III : Kapila in Samkhya and Samkhya-Yoga Chap. IV : Kapila in the Puranas : The Visnu Avatara Chap. V : Kapilasurisamvada : Sanskrit Text and Translation Chap. VI : The Sacred Geography of Kapila Chap. VII : Worship of Kapila : Sanskrit Hymns Chap. VIII : Competing Interpretations of Kapila in the Hindu Tradition. (shrink)

The following notes are the result of an examination of all the early Epic passages containing λλ which I made for the purposes of the lexicon of Homer and the older Epic now under preparation by the Archiv für griechische Lexikographie at Hamburg. The texts surveyed were Homer, including the Hymns, Hesiod, and the Epic fragments. I also examined Apollonius Rhodius for the purpose of comparison.

The short hymn to Hypnos at the opening of the first komrnos of the Philoctetes is of particular interest in view of Sophocles' association with the cult of Asclepius. As suggested by the invocation the hymn is in fact intended to recall the paean, a form of liturgy with which Sophocles' audience must have become increasingly familiar in the years since the introduction in 420/19 of the Asclepius cult. Indeed if we are to judge by inscriptional and other (...) remains the output of hymns for the cult of the healing gods from the fifth century onwards must have been a prolific one and considerably in excess of that for other deities in the same period. It is well known that amongst the earliest writers of hymns for the cult was Sophocles himself. The Suda in the list of his works records one of which at least, a paean to Asclepius, was known as late as the second and third centuries A.D. Probably this is not to be identified with the Sophoclean paean on the Sarapion monument of the same period, which in so far as the extremely fragmentary state of the inscription will allow us to determine would seem to be addressed not to Asclepius himself but to his mother Coronis. (shrink)

When Erysichthon, son of Triopas, persisted in felling trees in a grove sacred to Demeter the goddess inflicted on him an insatiable appetite, the consequences of which are brilliantly recounted by Callimachus in his sixth Hymn. Among them is a vain appeal from Triopas to his father Poseidon either to cure or else to feed his grandson, who has devoured the mules, the heifer which his mother was rearing for sacrifice, the racehorse, and the charger.

In November 2014 I had the pleasure of examining Bruxellensis 11377–80. This paper manuscript was owned by Pierre Pantin at his death in 1611; it occupies no. 30 in his catalogue, where the first text, on fols 1–4, was misidentified as ‘Hymni Homeri’. The next owner, André Schott, repeated the error; Omont uses a page-numeration that completely excludes the current fols 1–4.

Hippolytus, Refutatio omnium haeresium, V. 9. 8, p. 99, Wendland preserves a curious hymn to Attis: ετε Κρόνον γένος ετε ‘Pέας μεγάλης, χαρ’ τ κατης κουσμα ‘Pέας Ἄττι σ καλοσι μν’ Ασσύριοι τριπόθητον Ἄδωνιν, δλη δ' Αγυπτος Ὄσιριν, πουράνιον μηνς κέρας ‘Eλληνς σοία, Σαμοθρκες Ἅδαμνα σεβάσμιον, Αίμόνιοι Κορύβαντα, κα ο ρύγες λλοτε μν IIάπαν, ποτ δ’ α νέκυν θεν… It is preceded by a long exegetical disquisition, which treats the various divine names in the order in which they occur (...) in the hymn, and includes the remarks, 8. 13, p. 91, τοτόν, ησι, θρκες ο περ τν Αμον οκοντες Κορύβαντα καλοσι, κα θρξν ο Φρύγες μοίως… τν ατν δ τοτν, Φησι, Φρύγες κα IIπαν καλοσιν . The statement here made is obviously at variance with the hymn: Αμόνιοι are properly Thessalians, and have nothing to do with Mount Haemus. Moreover, we have evidence for the cult of a Korybas, more commonly called a Kabeiros, at the foot of Mount Olympus, and as Mount Olympus lies on the borders of Thessaly and Macedonia, this may be designated as a cult by Thessalians. Αμόνιοι therefore agrees with facts, and the explanation given by Hippolytus or by the authority whom he was following can be explained as due to a confusion of place-names. It led here to the further error of θρκες; the attribution of orgiastic cults to Thracians was natural, but there seems a lack of evidence for Korybas or Korybantes in Thrace. (shrink)

Günther Bornkamm, a chief disciple of Rudolph Bultmann, has gathered together a number of his expository articles in this volume. The chapters deal generally with themes familiar to Bultmann's aficionados, concentrating heavily on Paul's Epistle to the Romans and other letters of Paul. The chapters are headed "God's Word and Man's Word in the New Testament," "Christ and the World in the Early Christian Message," "Faith and Reason in Paul," "The Revelation of God's Wrath," "Baptism and New Life in Paul," (...) "Sin, Law and Death," "The Praise of God," "On Understanding the Christ-hymn," "Lord's Supper and Church in Paul," "On the Understanding of Worship," "The More Excellent Way." The translations of the articles are admirable, and were completed by Paul L. Hammer.--W. A. J. (shrink)

The identity of the river S0009838800019376_inline1 is even more obscure than that of the S0009838800019376_inline2 . Strabo and Dionysius Periegetes alone mention a Peloponnesian river of the name.

In recent decades, the relation between Egyptian and Greek praises of the goddess Isis has received much scholarly attention. The present study, however, focuses on six Demotic hymns and praises directed to this goddess: P. Heidelberg dem. 736 verso, O. Hor 10, Theban Graffiti 3156, 3462, 3445, and P. Tebt. Tait 14. These texts from the second century BC to the second century AD are re-edited in facsimile, transliteration and translation. A commentary to each document discusses philological matters, providing improved (...) readings in some instances. For the first time, the six texts are analyzed comparatively in regard to formal features and content. The concept of Isis that is outlined by the Demotic sources is set against Isis' role as described by other Egyptian sources and by Greek eulogies of the goddess. An appendix offers an overview of other Demotic hymns and praises addressed to various divinities. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Buddhist Literature as Philosophy and Buddhist Philosophy as Literature ed. by Rafael K. StepienVesna A. Wallace (bio)Buddhist Literature as Philosophy and Buddhist Philosophy as Literature. Edited by Rafael K. Stepien. Albany, NY: State University of New York Press, 2020. Pp. xi + 381. Paperback $26.95, isbn 978-1-4383-8070-1.The editor of the Buddhist Literature as Philosophy and Buddhist Philosophy as Literature should be commended for bringing together an excellent collection (...) of essays and producing the first comprehensive volume that offers a coherent study of the relationship between Buddhist literature and philosophy. This book is an ambitious and praiseworthy project, which covers a wide range of Buddhist literary genres produced in India, Tibet, and East Asia over two millennia. As a whole, the volume invites the reader to reexamine a centuries-long binary division between the categories of literature and philosophy, which have been often approached in academic studies as mutually exclusive. It does so by demonstrating that in the context of Buddhism, philosophy and literature continuously converge, diminishing the overarching binary and broadening their scopes. Most contributions to this volume demonstrate that Buddhist philosophy as presented and enacted in Buddhist literature is not limited to what some would consider a "pure philosophy." The volume is divided into the two, mutually mirroring sections, with each section containing six chapters. Chapters forming the section one, "Buddhist Literature as Philosophy," aim at broadening our perspective about literary forms, such as tales, novels, hymns, and court poetry, which have not been usually explored as the means of articulating Buddhist philosophical views. Chapters grouped in the section "Buddhist Philosophy as Literature" focus on Buddhist literary theories as philosophy of language and introduce the Buddhist biographical and autobiographical genres characterized by practical philosophy to further challenge our preconceptions of what it is that constitutes literature and philosophy. While some contributors endeavor to demonstrate the presence of rational, analytical reasoning in unexpected literary forms, other contributors problematize a strict distinction between literature and philosophy as inapplicable to Buddhism, which is undeniably cross-disciplinary.The first two chapters in section one, authored by Amber Carpenter and Sarah Shaw respectively, draw examples from jātaka stories to show us how Buddhist ethical lessons work in the narrative tales of the Buddha's former births. These two chapters also draw our attention to an accessible and engaging, [End Page 1] narrative manner that presents the Bodhisattva's philosophical exercises to the audience, a manner that stands in contrast to the a priori reasoning characteristic of philosophical treatises. In the first chapter, titled "Transformative Vision: Coming to See the Buddha's Reality," Carpenter analyzes two jātaka stories--"Bodhi the Wandering Ascetic" and "The Man Without an Heir"--taken from Āryaśūra's Jātakamālā. In the first story, a renunciant Bodhi, while repudiating the king's ministers who are intent on disqualifying him as a king's advisor on morality, makes metaphysical claims regarding the nature of reality, causation, and the universe, and provides the reasons and arguments. According to Shaw, by offering an insight into the Buddhist worldview and morality, jātaka tales have a transformative power not only with regard to ethics but also in transforming the reader's vision of reality. In the chapter "Jātakas and the Abhidhamma: Practical Compassion and Kusala Citta," Shaw suggests that a reason why jātaka stories are rarely discussed seriously in the way that they were intended is their literary format based in narrative and mundane situations. Analyzing the concepts of momentariness and kusala citta ("virtuous consciousness") in these stories, Shaw shows that by communicating the technical and insight-based Buddhist doctrinal elements, jātaka tales significantly contribute to Buddhist practical ethics. The Pāli Javanahaṃsa-jātaka, a tale about the friendship between a goose and a king, introduces the reader to some of the most complex Buddhist ideas such as impermanence, momentariness, and mental states, expounded in the Abhidhamma in extraction. Through her analysis of the Kurudhamma-jātaka and Mahosaddha-jātaka, Shaw further shows the integration of narrative literature and Buddhist philosophical tenets, of Buddhist tales and the Abhidhamma, of the relationship between the intention and consciousness... (shrink)

Hermes' maturation into a god of commerce and diplomacy is punctuated by a series of oaths. At first he uses tricky or unsworn oaths in the investigation of his theft of Apollo's cattle, but eventually he and Apollo exchange oaths that evoke the protocols of ritualized friendship. Although the ceremony suggests that Hermes has achieved adulthood, a narrative sleight of hand leaves some ambiguity about the completion of the ritual.

This article offers an interpretive reconstruction of Heidegger’s first reference to the “inner truth of National Socialism” in the 1934/35 lecture course, Hölderlin’s Hymns “Germania” and “The Rhine”, which has remained unknown due to an editorial error. Focusing on the distinction Heidegger draws between Greek φύσις and natural science, it examines the way Heidegger conceives politics more originally through Hölderlin and the naming force of Nature. It then contextualizes Heidegger’s specific reference to National Socialism in terms of the then contemporary (...) debate between liberalism and the racially determined “new science,” arguing that Heidegger thinks the “inner truth of National Socialism” as a φύσις-event. (shrink)

The year 2022 marks a century since the death of Reverend John Knox Bokwe, a minister of the United Free Church of Scotland Mission in South Africa. Although little known, Bokwe was an important member of the emerging African intellectual elite towards the end of the 19th century. He demonstrated the creative tension that arises when two cultures encounter each other as he confronted and made sense of the historical meaning of modernity. He emphasised the value of his traditional culture (...) in a context where western culture was making a significant transforming impact on African life, which produced a creative tension throughout his working life in various contexts. This paper analyses his particular contribution as an active committed Christian through a number of overlapping lenses – his life in clerical work, journalism, literature, theology, education, music and his involvement in social and political issues and ministry. In all this he operated with a holistic vision. The paper offers an assessment of his life’s work using a combination of primary and secondary sources. Contribution: This article adds to the growing body of work that is derived from studies on the emergence of indigenous leadership in South Africa by looking at the life, work and Christian witness of Rev John Knox Bokwe from the perspective of the creative tension that he experienced and navigated in the varied professional and vocational perspectives he engaged in during his life. (shrink)